Dr. William Thomas McBride

- About
- Education
- Awards & Honors
- Research
Current Courses
124.001Film Style And Literature
124.001Film Style And Literature
Teaching Interests & Areas
Film Style. Drama. American, British, Global Literature. The Tanakh and New Testament, Ancient Literature
Research Interests & Areas
Hermeneutics, Hitchcock, Soundtracks, Sacred Texts, Cultural Theory of the Popular, Dracula
Ph D
MA
BA
Provost’s Innovation and Enhancement Grant
Book, Authored
Book, Chapter
Presentations
THE UNGRATEFUL UNDEAD Fall 2020
Nosferatu: A Symphony of Horror (Murnau 1922) 10/8
White Zombie (Halperin 1932) 10/15.
Dracula (Browning 1931) 10/22
Night of the Living Dead (Romero 1968) 11/5
Dead and Loving It (Brooks 1995) 11/12
Shaun of the Dead (Wright 2004)
THE KUBRICK SPECTACLE Spring 2019
The Killing (1956) 2/20
Lolita (1962) 2/27
Dr. Strangelove: Or How I Learned to Stop Worrying and Love the Bomb (64) 3/6,
2001: A Space Odyssey (1968) 3/20
A Clockwork Orange (1971) 3/27
The Shining (1980) 4/3.
CLASSIC BROADWAY STAGE TO STYLIZED HOLLYWOOD SCREEN Fall 2018
A Streetcar Named Desire Tennessee Williams 1948 (Kazan 1951) 9/26, Dutchman LeRoi Jones/Amiri Baraka 1964 (Harvey 1966) 10/3
Who’s Afraid of Virginia Woolf? Edward Albee 1962 (Nichols 1966) 10/17
Boys in the Band Mart Crowley 1968 (Friedkin 1970) 10/24
Death of a Salesman Arthur Miller 1949 (Schlondorf 1985) 11/7
True West Sam Shepard 1980 (Goldstein 1981) 11/14.
WONDER WOMEN DIRECTORS Spring 2018
Christopher Strong (Arzner 1933) 1/24
The Hitch-Hiker (Lupino 1953) 1/31
A League of Their Own (Marshall 1992) 2/7
Lost in Translation (Coppola 2003) 2/21
Selma (DuVernay 2014) 2/28
Wonder Woman (Jenkins 2017) 3/7
THE SCORSESE STYLE: FROM ALICE TO SILENCE Fall 2017
Alice Doesn’t Live Here Anymore (1974) 9/27
Taxi Driver (1976) 10/4
The Last Temptation of Christ (1988) 10/11
Gangs of New York (2002) 10/25
Hugo (20112) 11/1
Silence (2016) 11/8
ALFRED HITCHCOCK: MASTER OF STYLE Spring 2017
Shadow of a Doubt 2/1
Notorious 2/8
Strangers on a Train 2/15
Vertigo 2/22, Psycho 3/1
The Birds 2/8
FILM NOIRS: VISUAL STYLE & FORTUNE Fall 2016
The Maltese Falcon (Huston, 1941) 9/21
Double Indemnity (Wilder 1944) 9/28
Murder My Sweet (Dmytryk 1944) 10/12
The Postman Always Rings Twice (Garnett 1946) 10/26
Out of the Past (Tourneur 1947) 11/9
Chinatown (Polanski 1974) 11/16
“Bogie & Bowie: The Quintessential Film Noir Anti-Hero & The Iconic Queer Pop Artist Hero.” “Wild Heroes: Media, Society, and the Need for Narrative” panel. The International Society for the Empirical Study of Literature and Media. Palmer House, Chicago, IL. July 7, 2016.
“Connecting the Dots 3 Years On Teaching an Online Film Course & Textbook,” Connecting the Dots for Effective Online Instruction panel, William Thomas McBride Chair. 2016 Teaching & Learning Symposium, Imagining the Future Reflecting on the Past. Marriott Hotel and Conference Center, Normal, Il, January 6, 2016.
“Why Stories Matter: Overcoming Oppression and Celebrating Diversity through Narrative,” panelist, Illinois State University’s Culturally Responsive Campus Community (CRCC) Conference, Uniting to Challenge Systems of Oppression, Old Main Room/Bone Student Center, October 25, 2016.
“`Who Told Thee That Thou Wast Naked?’ Troubling Nakedness and Knowing in the Tanak, New Testament, and the Qu’ran.” Sacred Aporia: Troubling Topics in Tanakh, New Testament, and Qur'an. American Comparative Literature Association Annual Meeting. Harvard University, Cambridge, MA. March 19, 2016.
Curator, Normal Theater’s Fall Six Week Film School, “Film Noirs: Visual Style & Fortune,” The Maltese Falcon 9/21, Double Indemnity 9/28, Murder My Sweet, 10/12 The Postman Always Rings Twice 10/26, Out of the Past 11/9, Chinatown 11/16. 2016